Writer

Welcome to the writing page for Jenny K. Gilman. Please explore her writing samples. You will find excerpts from her work in screenwriting, fiction, short-stories, commercials, game design, flash-fiction, animation, and television. 

Nostalgic Eagle: Three Families Give Thanks to Their Sleepy Hometown

August Macke: Sunny Road

August Macke: Sunny Road

 

 

“Over the river, and through the wood,

 to Grandfather’s house away!

 We would not stop for doll or top,

 for ‘tis Thanksgiving Day.”

 

Lydia Maria Child penned the poem, Over the River and Through the Wood. Her trek across woodland and farmland rings familiar to the families of Eagle’s past. Though change has come and built Eagle into a city of nearly thirty thousand, the old town feel remains. 

The bright oranges, reds, and yellows in Merrill Park reflect the sunrise and sunsets that come so quickly this time of year. The leaves are crisp, crunching underfoot, as passers-by stroll with their warm jackets and scarves tied neatly to keep them warm. It’s Thanksgiving! It’s the season to sit comfortably and reflect upon those things that make each of our lives have meaning.

Nancy and Alei Merrill cherished the once sleepy little town of Eagle. Nancy worked on the Merrill farm when she met Galan Merrill. They married and moved into a little home next door and began raising their family.

As the town began to grow into a city, Nancy knew that it was essential to maintain the feel of the country. The open spaces, the setbacks, the rerouted highway, are all there by design. They were included so that new residents are welcomed, and long-timers comforted, with that same sleepy feeling of home. Nancy was involved in much of the open-space preservation due to her time spent serving the Eagle community as a planner, a city councilwoman, and mayor. Eagle residents are able to enjoy her legacy of parks to play in and pathways to stroll on, especially during the display of color in early November.

Alei speaks thankfully about the open space she had as a child in Eagle. Riding her horse around town was therapeutic:

 

“I used to ride my horse through Eagle, I would go to Orville's and say hi, get a snack, pick up a few things for my dad at Evans Lumberyard, and circle back along the riverbank to the farm. I would pass neighbors and friends along the way. There didn't seem to be a sense of urgency or time.” 

 

She tells of riding her horse along the riverbank and through cornfields that stood where the connector is now. The freedom she had to escape was priceless. She is appreciative that the downtown area is still so familiar. Orville Jackson’s, the old hotel, the Church that is now Rembrandt’s, the old museum, these places of history still ring true today, even with their changes.

 

Forty years ago, the Benedetto family lived and played along the banks of Dry Creek. The children built dams and discovered snakes. They rode their trikes down a dirt lane without any worry of traffic. Stephanie, their mom, said, “We were our own Little House on the Prairie back then.”

 

Stephanie is thankful for her family and that her two daughters stayed close. Every year they gather for their traditional Thanksgiving dinner. Though the festivities have grown with marriages and grandchildren, they still feel the same sense of tradition. She said, “It doesn’t feel like the holidays unless we spend it together.”

 

Lacy (Benedetto) Hahn described a family tradition of great food and family coming together. Thanksgiving is the kick-off for her family’s Christmas. Shortly after Thanksgiving, they head up to the mountains to find their special tree.

 

Lacy is grateful for growing up in a community where open spaces are maintained to reflect the Eagle of earlier days. She said, 

 

“I am thankful every day that I am able to raise my children in the same environment, same small town feeling that I was raised with. [I remember] the annual fall carnival that [Eagle Hills Elementary] would hold where families and teachers gather to celebrate the new school year playing games, winning prizes, and sharing donated sweet treats. It felt like you knew everyone, and despite our differences, we were all part of a big community family, just happy to be in each other’s presence.”

 

 

Mike, Pat, and Joe Palmer’s parents moved to Eagle over forty years ago. All three of them speak of the same thing: community. They remember a small-town feel with good people all around them. Their father, Chuck Palmer, was the Sherriff of Ada County for twelve years. Mike recalls his father flying his airplane and landing it in their field. He said, “At the time, most of the neighbors didn’t care. I know that today if you tried to land in your pasture, there would be serious objections.” 

 

Pat Palmer remembers the streets of Eagle before there were traffic lights. He said, “State Street was two lanes through town. We raised hay and hauled it to Evans lumber to use their scale. It was so close to Eagle road you almost ran it over when you came to the stop sign.”

Pat is thankful that through all of Eagle’s growth, the city has maintained the beautiful landscaping.

 

Joe Palmer is thankful for the sleepy little town in which he grew up. He remembers everyone caring for each other. He recalls an unforgettable memory: 

 

“Every year, the volunteer fire department held an auction to fundraise for their burnout fund. Everyone in town was there. The citizens would bid on items [higher than] their actual value. The entire community was incredibly supportive of the cause, because we were ultimately supporting each other.”

 

 

Together, these families paint a picture of a small town that took care of them, and each other, as it grew into what it is today. They spoke of the city and their love of the nostalgic old buildings. Orville Jackson’s was a vital stomping ground, and though it has changed, the facade remains. They all want to see the historic downtown preserved, just like their open spaces.

 

Nancy Merrill said, “We should all be thankful for where we live and how we were raised. Thankful for those you love who gather around you. We’re all people. We all have something to give.  It’s time to start giving back.”

Gothic Novel Snapshot Story

“la silla” by Karl Schmidt-Rottluff.

As I stare into the heart of that diabolical leather chair in the corner, its enchantment reaching its ghostly fingers into my own darkest core, I swagger. The goblins in my brain, once again, laugh at the ludicrous hallucination . It's a chair!, my mind screams.

But the haunted beast sits as do I, frozen and wondering what kind of infernal magic that unlikely conjurer has brought upon me in this — this extraordinary nightmare. As if by some miracle, it should cease to exist and I may return to my own daily perversions which I am accustomed.

In theory, Tom was a dreamer. An illusionist. A want-to-be necromancer who predicted nefarious omens meant to separate old geezers from their pensions. His ominous forebodings have always been laughable. His ability to portend the timing of the sunset was the only prediction this man was likely capable to prove correct.

But now I am surrounded by a preternatural silence. It seems the prodigy is a prophet and I am a fool. I gave him my secrets willingly, and I, a worthy sorcerer. I scoff at my higher intelligence and vow never to take lightly another man again, that is, if I suffer to live beyond these many hours of darkness.

"Spectre," I demand, "Spirits..." I continued, my voice weakening, "... what strangeness is this that I have no defense against you?”

The silence goes unbroken. Even my prized talisman is ineffective against this evil that I do not recognize and I am afraid, because I, as never before, have no vision.

Jenny K Gilman.

This was a fun experiment in writing, attempting to use as many gothic words as possible in a snapshot story.

Harmony: A Political Opinion

Max Beckmann- Self-Portrait with a Cigarette. Frankfurt 1923

Dear Readers,

This political opinion was written originally on the 5th of May, 2013. I feel there is continued relevance today.

Now that I have concluded my M.F.A. program I plan on writing more of these kinds of opinion pieces, as well as research pieces.

I hope you enjoy my point of view from back then. Being open minded allows me to revisit these thoughts and to consider new ideas constantly. It’s an exciting time to be a writer.
Jenny K. Gilman

Harmony: A Political Opinion

By Jenny K. Gilman

 

 

 

We are at war, and it's not what you think at first glance.

 

 

 

Before I explain this, I want you to sit back and reflect for a moment on who you are and why you are who you are, politically.

 

 

 

Human beings are amazingly complex creatures. I imagine all beings are complex. I appreciate that because the earth has such variety of beings, my life is richer. I understand the value of diversity.

 

 

 

To get to my point, I believe in balance. I have faith in balance. There is evidence all around us when we choose to notice it. You've probably heard of Yin and Yang. What you may not know is that the definition of Yin means, "without Yang," and the definition of Yang means, "without Yin" and they are bound together. On the surface it's simple, but the philosophy of Yin/Yang is particular because, in order to know light, we know darkness. In order to hear a perfect note, we have also heard the resonant squawk. We know the depths of hate but desire to love and be loved, and we also know which is which though sometimes we get lost.

 

There exists good and bad. Bad is bound to exist from time to time, and I believe humans have an internal correction device inside themselves to handle the bad as best as they can while rewiring and rebuilding the good. As you read this, please don't confuse my meaning of bad as evil. Evil has a powerful, otherworldly connotation and if you believe in balance, like I do, then the only hope of conquering that kind of trouble is out of our hands and in the hands of another powerful, otherworldly being of light. While this may exist, or not, is a fine topic but that argument isn't always necessary to solve problems that we are capable of solving as human beings. If this belief guides your soul, if it defines you, or if it helps you to solve the bad problems, then it is a part of who you are. You must use your judgment as to whether right or wrong is also good or bad. Just be extra careful of deciding for yourself what is evil and what is merely bad and can stand correcting where you have the power to do so.

 

There is beauty in balance. Imagine a sphere containing sand. If all the sand falls to one side, it tips and starts spinning over and over itself until it gets pretty hard to reverse. In politics, we are so different because if we all stood to one side, we'd all make ourselves sick from the leaning and spinning. Someone has to run over to the other side to correct the balance. If we work together, we stand on solid ground.

 

There is a phrase that has been used for years called, "Divide and Conquer." Politically it means if you divide a large group into smaller, more controllable groups, you gain power. You can even get those smaller groups to work against themselves enough to stifle or purge an entire position, an entire race (think Macedonia and the Roman conquest, think genocide by the Nazi's and in Rwanda. Eventually, the people did it to each other).

 

We are at war.We think we are at war with each other politically, and what we do to each other unintentionally, I believe, benefits those who profit from our inherent complex human differences. But who are those benefiting?

 

Here's something we should seriously consider:

 

Are politicians feeding us divided talking points that are easy to remember?

 

Do we favor so heavily the right or left ideals, that it's easy to repeat their talking points rather than to think through them?

 

Do we feel our own values need protecting without justification or that opposing values are uneducated or misguided? (Ideals aren't necessarily misguided in our hearts, they can be our opinions, but the talking points can be very misguided. Do we believe them if they're similar enough?).

 

Do we imagine ourselves of higher status because others' ideals sink lower, in your opinion?

 

Do we live in fear?

 

Sadly, I think both the right AND left are suffering from the points above. Those of you who know me know that I favor left thinking, and I lean so because it's inherently who I am. But I also know that without other ideals, my philosophy would topple right over. What good do my ideals have if there's nothing in contrast? It would be unnecessary and a moot point. There would be no need for ideals at all.

 

We are at war with those who profit from our separation. We are not at war with each other. If anything, I need my left ideals to balance out someone's right because I need that harmony in my life. I need the beauty of contrast. I need the beautiful pink flower on a delicate blue background so I can see it, and so I can appreciate its shape and form as it is separate from its surrounding. While I know that politics isn't a painting, that there are somber issues, and there are so many people suffering- I believe the suffering is made worse by our division.

 

Problems can't be solved by using talking points because that means we're not thinking and that we're not even open to it. We become dependent on those who feed us simple statements to be the ones to come up with the "only" solutions and, sadly, when the solutions oppose each other (which they do, due to human nature and balance) the "only" solution becomes no solution. And yes, I mean both sides do this. Some innocently, but some, as profiteers. I've seen postings on Facebook from organizations whose philosophies I tend to agree with use other people's talking points that are wrong. It upsets me when I see opposing views using distorted facts as well because I'm afraid those who trust them will believe them. It becomes a much bigger problem that's harder to fix and in turn, becomes more reliant on those that feed us our information.

 

Closed minded comes in all forms, and you know why?

 

Because it's easier.

 

We need to be careful whose talking points we're using because it carries with it our responsibility of relinquishing our power to them. We need to be careful to hold on to what our inherent ideals are, and not let talking points confuse us into harboring new, wrong ideals.

 

"Those who have been intoxicated with power... Can never willingly abandon it." – Edmund Burke

 

Even though we think differently from each other, we sill need to respect each other and work together. We need to preserve the good and correct the bad. If we don't, we will suffer. We already are, and I can bet there are people set to profit from our behavior by using our inherent and sacred philosophies against us. Love who you are, and love the differences in each other. Be still and hear the beautiful harmonies that only we can hum together.

 

“The Party seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power. Not wealth or luxury or long life or happiness: only power, pure power. ...We know that no one ever seizes power with the intention of relinquishing it. Power is not a means; it is an end. One does not establish a dictatorship in order to safeguard a revolution; one makes the revolution in order to establish the dictatorship. The object of persecution is persecution. The object of torture is torture. The object of power is power. Now do you begin to understand me?”   – George Orwell, “1984″

 

There is so much love in the world and so much beauty.

 

Think about this and start by doing one thing today:

 

Find one good thing about someone else's difference.

 

Then find another.

 

And next week, find another.

 

It will end a war and stifle the profiteer.

Flash Fiction: Friday Afternoon at Riverside RV Park

Paula Modersohn-Becker: The Painter with Camellia Branch (Self Portrait). 1907. Public Domain.

Friday Afternoon

By Jenny K. Gilman

The view from my kitchen window has been interesting since the day I drove my trailer into this camp. Though I’ve only been here three weeks, some have lived here for years, like the woman who camps one row behind me and three trailers to my left. It is she who unknowingly drives me to watch through that window.

I hate to say it, but I think she’s crazy. Perhaps that’s a harsh word; I’m sure there’s something more politically correct for her way of thinking, but I’m uneducated in the field of psychology.

It’s mid-March, and she’s decorated for Christmas with barber pole garland winding up her awning, and today, she’s planted her Santa Claus figurine in the middle of her garden, which she’s digging from the alleyway alongside her early 1990s fifth wheel. I’ve never seen the truck that brought such a beast there to park it. I suppose her driveway is best used for vegetables, if indeed, that is what will come from her digging, rather than her hiding relics in the dirt for next Christmas.

There was a camp attendant who weaved through the trailers in his golf cart to warn the residents not to allow children or small pets outside, for they were soon to be spraying poison to kill the spring weeds now that they’re popping through the softening dirt at the park. Not five minutes later and they were spraying. They used a large tractor with five nozzles to the side and four more behind, drowning the land in poison.

If I had had more notice, I never would have been in my trailer that day. The walls are thin, and I felt myself choking from the acrid smell within minutes of seeing the tractor. The best I could do was to cover up my face with a kitchen towel and tie it around the back of my head to keep the fumes from scorching my nose. But as I did that, I caught the view of the mad woman through the window, and I laughed so quickly I surprised myself at the volume.

“What is she doing?” I asked aloud.

She brought a chaise lounge out to the road and reclined, wearing next to nothing. She was oiled up. I suspect she was trying to get a tan.

“Oh my god!” I said.

The tractor was driving the dirt road between us, the nozzles dripping and spraying heavily.

She didn’t flinch as it passed her. The driver had to swerve to keep the spray off of her, and yet I think it strange he didn’t stop the vehicle and ask her to move. Everyone ignored the woman in the chaise, it seemed, as if it were normal behavior.

After three tractor passes, I began watching her chest to see if there was the rise and fall of breathing. I couldn’t see it.

I tightened the towel around my face to go out to her, but then she wiggled her toes.



Natural Treasure

An Animation for a Cause

Odilon Redon, The Mysterious Boat, c.1892. Pastel on paper. Private collection

A word from the author about this piece:

I wrote this animation script as a project for my Full Sail University Master's class in Animation. We combined a cause, whether it be political, social, or something personal, with an animated short film, in order to share a perspective about the cause. I chose a silly Pirate romance that took place in the state of Idaho, and I chose to talk about keeping food pure.

Storyboarding

A project we did alongside the "Natural Treasure" screenplay was storyboarding. Here is a link to my storyboard on Tumblr: Natural Treasure Storyboard.

The Walk

Conrad Felixmüller (German, 1897 - 1977). Self-portrait with son Titus (Selbstbildnis mit Sohn Titus). Public domain.


Branching Dialogue: "Anna Hepplewhite."

Anna Hepplewhite is a victim of domestic abuse. She suffers as she tries to decide whether to stay and love the man she promised to love, even with all of his faults, or leave and possibly save her life. Her choices are never made lightly and often, confusion shrouds an intelligent decision, for her husband sincerely loves her but cannot control his temper.

This conflict is why there is a cycle of abuse. It is a stark reality for many women and men, and this game serves as a lesson to those who do not understand the trap that perhaps a friend, a family member, a co-worker or a neighbor falls into and cannot easily escape.

Branching Dialogue for "Anna Hepplewhite."


A word about this piece from the author:

Anna Hepplewhite is a branching dialogue game that I created for my Master's class, "Writing for Games." If you have the application "Twine" downloaded on your computer, you may be able to play along. Here is the link: Anna Hepplewhite.

Delicious: Emily's Holiday Season And Feminism Theory

Gustave Caillebotte: Hors d'Oeuvre. 1881-1882. Public Domain.

Delicious: Emily's Holiday Season And Feminism Theory

Introduction

Delicious: Emily's Holiday Season (Game) is a time management game developed by "Zylom Studios and published by Zylom" (Delicious). I am reviewing Delicious: Emily's Holiday Season, one of nine Delicious games. It is a fun game which has a female protagonist, Emily. My criticism examines the game's story that appears to be in touch with a modern woman's point of view but still has the character pigeonholed into old-fashioned women's roles.


Summary

Emily arranges a holiday dinner for her family at a mountain lodge, but when she arrives, she realizes how understaffed and out of touch the restaurant is. She was hired to help improve the restaurant by its owner, and thus begins the game. From spider webs that need cleaning to a menu that needs improving, it seems Emily is the only one who can make the changes required for improvement. Each chapter in the game has goals that must be met and decorations to hang, to make the restaurant appear festive and the customers happy.
She meets two men in the game. One is a greedy business owner and the other, an insecure hotel worker. Both men try to win her love and by the end of the game she must choose which, if either of the men, she wants in a relationship.


Background

The Feminist movement is about equal rights. It is not about women being more important than men, but about being given an equal opportunity between the sexes. When women graduated from college in the mid-sixties, it was the tradition that the only appropriate careers for women were at home as a wife and mother, or in the workplace as a nurse or a teacher. As an example, Nancy Grace Roman, considered the mother of the Hubble Telescope, was NASAs first chief of Astronomy.
Roman faced the problems of being a woman in the sciences in the mid-twentieth century like most other women. She was discouraged from going into astronomy by people around her and was one of the very few women in NASA at the time, being the only female in an executive position (Mother).
In video games, the "research on game content has revealed that stereotypical masculine characters dominate video games and that those characters are generally White" (Jansz). With the Delicious series, the protagonist is female, giving an opportunity for those who are looking to play a game from a female point of view a new option.

Argument

Emily's character is constantly bombarded with activities, some of them the natural part of running a restaurant, but many burdens she carries come from the men in the game asking her to help them. She doesn't set boundaries as women in traditional roles have done for generations. She agrees time and again to do the work for them on top of what she already has to do to make them happy. It is apparent by her inability to say no that she has been taught to please, and she doesn't want to disappoint anybody. While Emily is running a restaurant, which could be a powerful career for her, it seems, in this game, she doesn't run her life. She comes close to failing with every new chapter of the game, and it is because of the detours she takes making the choices she does to do everything asked of her by the men in the game.

Conclusion

While Delicious: Emily's Holiday Season is a fast-paced and fun adventure, the typical female role of being subservient and overgenerous to others is not a great example to young women of how to become independent and active in their adult life. It is a good step in the right direction to have a female protagonist, but putting her in the nurturing role instead of making her responsible for what is important to succeed in her career is equivalent to the two steps forward, one step back kind of progress.

References

Delicious (Series). (n.d.). Retrieved May 2, 2015, from http://en.wikipedia.org/wiki/Delicious_(series)

Game. Delicious: Emily's Holiday Season. (2009, November 18). Retrieved May 1, 2015, from http://www.gamehouse.com/download-games/delicious-emilys-holiday-season

Jansz, J., & Martis, R. G. (2007). The Lara Phenomenon: Powerful Female Characters in Video Games. Sex Roles, 56(3/4), 141-148. doi:10.1007/s11199-006-9158-0

"Mother of Hubble Always Aimed for Stars." Voice of America. (2011): n. page. Web. 5 Nov. 2013. <www.voanews.com>.


A word about this piece from the author:

For an assignment in my class, "Script Analysis and Criticism," I chose to write about Feminism Theory and Gaming because the overwhelming majority of games are written for males. As a woman who loves gaming, and has played games from the early Atari console, to Playstation, to PC/Mac platform games, I wanted to share some of my knowledge of games I have played and how women's roles have evolved, or not, in the marketplace. 

Snapshot: "Autumnal Porch with Lemonade"

Vincent Van Gogh: Avenue of Poplars at Sunset. 1884. Public Domain.

The leaves on the old red oak in front of the barn are an orange-brown. Not the orange color of the sunset over Beacon Street at six-thirty this time of year, but more the orange that pops out of the fire, with a smooth stream of butterscotch yellow painting up over the surface with the pitch of the dark brown deeper flame just behind. It’s that color of orange. The color that comes between and brushes it’s way up into the flu and out over the roof to the cold air, and falls to the roof like rain.

This time of year, every time I go outside the old red oak is different. Every morning the kids walk by the house, down over the sidewalk and I say “Hello,” but they never say anything back. I never blame them. I sit alone here every day. They walk by and their conversations become louder, loud enough so that I can hear them laugh when the dark brown haired boy teases the blonde haired girl with the pink backpack. She isn’t yet old enough for her asphodel yellow hair to fade down to the dullness of ditchwater. She shines, not just in the reflection of the wavy strands hanging down her back, but her face exudes this sort of nuclear energy. Like millions of tiny particles of light are tangled up inside her head-- getting into line until it’s their turn to fly out of her eyes. It’s magical, that kind of innocence. It hasn’t yet been cracked by heaps of accidental sharpened stones, banging and bruising once and then threatening to reappear. Nor has it been touched yet by lost jobs and lost minds and loss, the loss of a child when she’s only seven years old because of dehydration and no insurance. It’s fresh and clear and white and powerful, and it screams “You can’t hurt me, I have nothing to give you...yet.”

Meanwhile, one of the leaves from the lowest branch slips off of its roost and is asleep before it hits the ground, stirring just gently enough to rearrange the covers, getting lost in the down of orange-brown blankets before it. Not the orange-brown in the mid-light glow of fire, but more the brown of a slick old stained walnut cupboard that has been kept clean from years of dusting and oiling and there are no hard surfaces on its boards. Instead, it is soft and thick like it had an ocean of water pressing up from underneath it in waves mellowed from last night’s storm. It is rich and whole, the way wood should be when it looks just right; never new; never sharp, true.


A word about this piece from the author:

 I have series of visual writing practices that I call "Snapshots." A good photographer tells a story in an image. It evokes emotion. A time or a place. A personality. Even if we haven't visited or don't know the subject, we see it and relate it to something we know. We fill in the details from our own story. I wanted my snapshots to do the same thing. I wanted to paint you a visual picture with a hint of emotional context and let your imagination do the rest.